"Captain Scarlet" was my very favourite programme when I was a young kid, until some busybodies banned it over here because it was allegedly too violent for children (before that, if I remember right, ATV simply covered themselves by announcing: "Captain Scarlet may be indestructible, but remember, you are not!"). After they stopped screening it, I had to make do with memorizing an old annual, so I still know an awful lot of trivia about the show.
The Mysterons were indeed the ultimate terrorists. I've often wondered whether it was merely a coincidence that at the same time the show was being made (the late 1960s), international terrorism was taking off in a big way (the Palestinians, the Provisional IRA, Baader-Meinhof, Red Brigades etc. all started their campaigns around 1967-69).
There were two features I particularly liked about the programme (apart from the violence, of course):
(1) Its take on the future seemed convincing because it wasn't that much different from now, simply more hi-tech. Nobody walked around in bacofoil suits saying "Affirmative" and "Negative" instead of "Yes" and "No". Big Ben, Scottish castles and houses made of brick and concrete still existed alongside the futuristic stuff. People still relaxed with a drink, went to casinos and read fashion magazines. The oddest thing about the 2050s when you look at the programme now is that they seem to be undergoing a massive Sixties revival.
(2) The good guys didn't always win. I think this is possibly the only TV show where I've seen this happen on a regular basis (even the most hard-bitten detective shows have an extraordinary, almost 100% clear-up rate). The Mysterons succeed in blowing up South America's water supply station and they manage to assassinate the president of the United Asian Republic in spite of Spectrum's best efforts. So the tension was even tenser than usual.
"Battlestar Galactica" was always third-rate, "Star Wars"-imitating dross and I've never managed to get through a complete episode. "Space 1999" was repeated here in 1999 (of all years) and in many ways I wish I hadn't refreshed my memories of it. Its vision of the future has not worn well, particularly the hippy drivel they try to pass off as profound philosophy in all too many episodes. Some of it's still weird and scary (often unintentionally so: in one episode Ian MacShane, now famous as the dodgy antique dealer in BBC's "Lovejoy", turns into a radioactive monster), but I think the bits that have stood up best are the incredibly funky music and Catherine Schell (as Maya). The less said about "UFO" the better, I'm afraid.
I loved Captain Scarlet too -- it was on in syndication in the states weekdays after school. At that time I think Bugs Bunny and Tom & Jerry and the like were drawing all ire of the anti-violence crusaders -- Captain Scarlet was too obscure here to draw their attention.
There really was a feeling of dread the episodes produced -- I think part of the problem was that Spectrum was never overly concerned with going on the offensive.
I haven't seen Space 1999 since the 1970s, but I'd sort of like to see an episode again. The music was excellent -- I think my brother even had an album of it.
And I agree with you about the old Battlestar Galactica. That's why the new version was such a revelation -- it was really good, and instilled that same sense of dread.
It's certainly worth renting a few episodes of "Space 1999", as some of it's pretty good if you can avoid the "Good morning, starshine" bits. The Ian MacShane episode, the one with a berserk seven-foot tall Richard Chamberlain, and "Dragon's Domain" - which gave me nightmares as a kid and is still pretty grisly - are particularly recommended. It's also fun if you want a glimpse of a vanished age (I think at least two of Rod Stewart's girlfriends appear in the show).
I thought Spectrum was reluctant to go on the offensive because Gerry Anderson wanted to string the series out. After all, the "earthmen" only have to work out how to destroy a single base on Mars and it's all over for the Mysterons.
I haven't seen Captain Scarlet since I was a kid, so maybe I'm not remembering correctly, but wasn't there sort of a half-heartedness to Spectrum? Sure, the Mysterons were wrong to want to indiscriminately kill and terrorize humans, but we did screw things up for them on Mars, so maybe we better just learn to live with assassination attempts and cities being destroyed and what not...
Well, it didn't really seem too much that way to me when it was repeated here recently (and I'm not ashamed to say I taped most of it, because it's still highly enjoyable, even though you can spot one or two plot holes as an adult). The Mysterons aren't like human terrorists and Spectrum can't just blow up their base because that's what they did to start with and the base simply reconstructed itself. I think they learn the Mysterons' weaknesses gradually, e.g. their vulnerability to high-voltages. They develop a detector for their "undead" agents too, and stop the Mysterons establishing a base on the moon. Actually I say the "Mysterons", but the terrorists are in fact their defence computers, left running after the Mysterons long ago abandoned Mars, and activated when they are attacked by Captain Black's expedition.
Yes, I realise I'm very sad talking like this, but somehow "Captain Scarlet" makes more sense than Sayyid Qutb ever did. By the way, there is a rumour that Gerry Anderson is making a new series of the show, so maybe Spectrum will finally finish the Martian baddies off. Now you've given me an excuse to dig my tapes out and watch it again.
I'm envious. I can't help wondering if I should order the collected Captain Scarlet on DVD ...
As to your fresh recollection vs. my old memories, of course, I defer to you.
I was inordinately fond of Captain Scarlett, far more so than for the other Gerry Anderson series, undoubtedly because I was at the right age (whether that was 7, 8, 9, 10, 11, or which, I couldn't say without checking), and also because I was intrigued by the empowerment fantasy (he/I can't be destroyed!).
"...the moment that the Brits woke up to find that the continent was lost, and they stood alone against a savage tide bent on world conquest and genocide."
I feel a need to note that that was an awfully long moment (or even night and morning they "woke up to"), given the stretch from, say, the September 1st, 1939 invasion of Poland by Germany -- which hardly dropped out of the sky without prior warning towards renewed European war -- until June 22, 1940, when France signed the armistice, following the surrender of Belgium, Luxembourg, Norway, and the Netherlands, and following Dunkirk. Despite the Phony War early days, it's not as if the shock came to Britain overnight, is all I'm saying. (Still to come were such events such as the signing of the Axis Pact, Italy's declarations of war, the Soviet invasion of the Baltic States, Italy's invasion of Greece, Germany's invasion of Romania, the trading of air raids, the Blitz, the Battle of Britain, Hungary joining the Axis, Japan attacking ABDA rather than just China, and so on; but by Oct 12, 1940, Hitler had already postponed Sea Lion, by December Britain was attacking in North Africa, Somaliland, and Greece. By June 22, 1941, when Hitler madly attacked Russia, Britain could no longer be said to be "alone." So the "moment" wasn't extremely long-lasted, either, uncertain, to be sure, as the situation throughout the period was. I'm just quibbling against the time-shortening aspects of hindsight, is all.